Artistic Associates

  • Kris Alvarez

    Kris Alvarez is a theatre artist, a Regina monologue. Kris has the privilege of relationship-building through creation & performance with like-spirited humans at Curtain Razors , Fadadance , Artesian, Heritage Community Association. At Common Weal Community Arts, Kris’ 2019 Respond to Racism residency humbled her theatre-making, inspiring Golden Potluck – project centered on diverse older women’s voices.

    Kris tinkers with her practice alongside Curtain Razors performing ( Bad Blood , Carmen Angel ) and making work ( What Kind of Brown Are You?) Her current instalment, Burnt Sienna continues into 2021 after an adaptive 2019-20 series! Just before the pandemic, Kris had life-inspiring experiences performing in Persephone Theatre’s Reasonable Doubt.

    At the end of 2020, Kris happily joined Globe Theatre’s ensemble for The Story . 2021 has Kris lucky to be in Agam Darshi’s film “Donkeyhead” and continuing relationships at Globe with a residency! This summer, “driving back up the 11”, she’ll join Sum Theatre’s Theatre in the Park

  • Jayden Pfeifer

    Jayden Pfeifer is a Regina-based artist whose work in theatre and improvisation, as creator and performer, has spanned the last 20 years. He holds a BFA in Theatre Performance from the University of Regina (2003), and an MFA in Interdisciplinary Studies (2017), specializing in Improvisation and Ensemble Facilitation. He currently teaches Improvisation for the U of R Theatre Department.

    Pfeifer’s monthly comedy variety show, Red Hot Riot with Jayden Pfeifer, ran for seven seasons in Regina, and he has hosted the monthly comedy show TALKIES at the RPL Film Theatre for the past six years. Jayden is an Associate Artist for Curtain Razors Theatre, and has appeared in Curtain Razors' productions of Live Duet, Bad Blood, and Carmen Angel, as well performing regularly in Burnt Sienna with Kris Alvarez.

    Most recently, Jayden directed wanisiniwin/ kwêski-pimâtisiw for Globe Theatre, and was a producer and lead artist for Curtain Razors’ Trespassers Waltz as part of National Arts Centre’s ‘Grand Acts of Theatre’.

  • Johanna Bundon

    Johanna Bundon is an independent artist whose practice includes dance and theatre performance, choreography, and teaching. She is a 2005 graduate of LADMMI (Les Ateliers de Danse Moderne de Montreal), a 2008 graduate of the Globe Theatre’s Actor Conservatory, and holds a BA in Arts & Culture from the University of Regina.

    Currently, Johanna is an Artistic Associate of Curtain Razors. She is a co-creator of CR’s production of Live Duet (2016), Moveable Feast Independent Artists Edition (2016), assistant director on Bad Blood (2017), producer on Carmen Angel (2018), and producer and lead artist on Trespassers Waltz – Grand Acts of Theatre (September 2020). As a choreographer, New Dance Horizons, Globe Theatre’s Sandbox Series, the National Arts Centre’s Prairie Scene Festival, and the Prairie Dance Circuit have presented her work. Her choreography has also featured in numerous Globe Theatre productions since 2006.

    Johanna frequently teaches dance and movement practices through New Dance Horizons Dance Core, as a faculty member of the Globe Theatre’s Actor Conservatory, and as the 2017 director of Globe’s Start Up training for emerging artists. Johanna a 2020 graduate of the San Diego 4 Feldenkrais Professional Training Program and an Authorized Trainee Awareness Through Movement® teacher.

  • Terri Fidelak

    Terri Fidelak is an intermedia artist and arts organizer. She is intrigued by what is often easily overlooked - endemic flora, geological evidence of glacial passage, and the ephemera of lived experience. Through performance, social practice, drawing, and sculpture, she questions how attention and value are interconnected and uncovers ways that objects, people and environments converge to resonate with unexpected meaning.

    Terri has been an Artistic Associate with Curtain Razors Theatre since 2016, and this experience has shaped her interest in cultivating a dynamic and inclusive arts ecology. Collaboration is a staple of her creative practice and she has joined forces with numerous artists and community art initiatives over the years, including with the Dunlop Art Gallery, Common Weal Community Arts, and Neutral Ground Artist-Run Centre, to name a few. She has also participated in various artist residencies, such as Medalta International Artist Residency (AB), White Rabbit Arts (NS), and Signal Fire Arts (Oregon).

    As an indication of her broad creative pursuits, her illustration and design work was nominated for a 2020 JUNO Award for Album Artwork of the Year. Her work is among the Saskatchewan Arts Board’s Permanent Collection as well as private collections in Canada, the US, and Japan. Fidelak lives and works on Treaty 4 Territory in Regina, Saskatchewan.

  • Joey Tremblay

    Joey is an auteur-director, playwright, theatre-maker and actor. He grew up in South East Saskatchewan in a hamlet called, Ste. Marthe. He received a B.F.A. in Drama from the University of Regina (1987) and a Diploma from the Vancouver Playhouse Acting School (1989). After working several years as a freelance actor, Joey co-founded Noises in the Attic, a theatre company mandated to produce and create new Canadian plays on the fringe festival circuit across Canada. From 1996 to 2001, Tremblay was the Artistic Co-Director of Catalyst Theatre in Edmonton. During this period, he wrote, devised, co-directed and produced as many as fifteen performance events and full-length scripts that toured across Canada, Great Britain and Australia.

    Tremblay was a member of the English Theatre Ensemble at the National Arts Centre in Ottawa for 4 years. In essence, all of his work in theatre has been predominantly in the sector of new play development. However, the process in which he has tackled each new project has varied immensely – from non-linear, interactive, environmental installations to more linear, narrative scripts, where his involvement arguably began as a traditional playwright. Many projects, began as translations of classic work and then through re-writes and rehearsal, they evolved into hybrid interpretations that were far from their original sources.

    Combined, this work has garnered over thirty awards and nominations for outstanding direction, production and acting, including two Scotsman Fringe First awards for outstanding writing.

  • Judy Wensel

    Judy Wensel lives in Treaty 4 (Regina) and works in theatre across Canada as a director, creator, performer and educator. Her work emphasizes connection to place and community and through her deep interest in collaboration she has conceived and directed numerous interdisciplinary creation-works and community art initiatives with organizations and artists including FadaDance, Wolf Willow Band, Swamp Fest and the Cathedral Village Arts Festival. Her theatre directing work includes productions of contemporary Canadian work, ensemble-based devised creations, and new play premieres. As an educator, she has worked extensively with youth and adults through Common Weal Community Arts, Saskatchewan Cultural Exchange Society, Theatre Saskatchewan, Neutral Ground Artist Run Centre, Canadian Improv Games, Globe Theatre School and as Artist-in Residence with Listen to Dis’ Community Arts. Judy has been an Artistic Associate with Curtain Razors Theatre (Regina) since 2015 and the Associate Artistic Director with Sum Theatre (Saskatoon) since 2019. Judy has a BFA in Acting from the University of Regina and is a graduate of the Directing Program at National Theatre School of Canada in Montréal.

 

Board of directors

Jacqueline Messer-Lepage

Madeline Kotzer

Fanny Kearse

Fritz Pino

 
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Curtain Razors is a Saskatchewan not-for-profit corporation with charitable status operating continuously since its incorporation in 1988. We operate with a volunteer Board of Directors, guided by a group of Artistic Associates.

 Curtain Razors operates on the traditional lands of Nēhiyawak, Anihšināpēk, Dakota Lakota and Nakoda Nations and the homeland of the Métis. We are fully aware of the urgent need for healing relationships with land and people, through kind action, intentional creativity, and choosing to renounce white supremacy.